Showing posts with label 1968. Show all posts
Showing posts with label 1968. Show all posts
Saturday, November 28, 2009
"Helter Skelter" by the Beatles (1968)
Ah, the White Album... that testament to the awe-inspiring power of the human ego. You know, George Martin apparently begged them to make it into a single album. Well, duh... With judicious editing, you can break the White Album into two different albums: one would be perhaps the greatest album they've ever made, and one would be perhaps the single worst slab of vinyl ever.
It'd be an interesting exercise to see how most people would accomplish that feat. While it's certain that everyone would deservedly put "Bungalow Bill" on the garbage disc, and most people of taste would put "Ob-la-di, ob-la-da" there too, I imagine a lot of people would put "Revolution 9" there, which personally I enjoy quite a bit. And most people would give "While My Guitar Gently Weeps" pole position on the good-disc, whereas I can't stand that song's overblown grandiosity.
There's a lot I could have chosen from this album. The atrocious "Birthday" and "Piggies" come to mind. Yet I've included the truly horrendous "Helter Skelter" because while it's every bit as cynical and smug as half the other songs I've mentioned (plus "Honey Pie" and "Savoy Truffle"), it is actually convinced of its own worth, being as pathetic an attempt at 'rocking out' as anything I've heard. Talented musicians pretending they can't play, misquidedly confusing weedy screeching with 'passion', the Betales here don't sound like they're just throwing crap out there to fill up a disc; they sound like people who are trying and just falling spectacularly far from the mark. As ridiculous as this song, with its fake fade-out and "I've got blisters on me fingers" bluster, there apparently exists a 15-minute outtake of it. Can you imagine if this song, interminably long at four minutes, actually did go on that long? Blisters on my ears. And blisters on my respect for the Beatles' craftmanship.
Thursday, September 3, 2009
"Young Girl" by Gary Puckett and the Union Gap (1968)
Great songs can have terrible lyrics. Sometimes terrible songs can have great lyrics. You can't judge a song by its lyrics.
Um, well...
There have to be a few exceptions. This absolutely vile testament to, well, the joys of young love is one example. I won't include lyrics here, but I'll include a link to them. Notice how the song is not merely about lecherous drooling regarding a 'baby in disguise' who should 'hurry home to (her) mama', but it even has the cheek to blame the child in question for her 'come-on look'.
Gary Puckett's oddly-titled backup group the Union Gap features horns blaring in a minutely-Latin manner. They don't sound all that bad, despite the hackneyed half-time lead in. But Mr. Puckett's 'throaty' vocalisations ruin even the chance of enjoying this song by ignoring the lyrics. His bravura would be sickening if he were, for example, comparing his (adult) love to the moon or some rubbish. However using his brassy, charmless tenor to shout accusingly at the child he's sexually attracted to merely compounds the problem.
When this song was released, it was a #1 hit in the UK and #2 in the USA. Somehow, people actually enjoyed this repugnant song and went out and purchased it, or else requested it on the radio. Perhaps some were young girls, and could maybe be excused. Yet how this playground-stalkers' anthem could ever be played in clean conscience by adults, I have no idea.
Truly hideous.
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